magibrain

AO3 informs me that it has no fics in which Elizabeth Burke hangs out with Abby Bartlet, and this makes me sad in the deep recesses of my soul.

So I was looking up Kate Moreau's actress, because I was toying with the idea of doing some sort of Gunnerkrigg Court Realm of the Dead ficlet with her and I wanted to know which psychopomps would be fighting over her when some guy with a terrifying visage &/ bad costume showed up to offer her an out.

(That idea is backburnered because I realized I didn't have a plot for it. This happens surprisingly frequently.)

Anyway, I ran into the line, "At the end of 2012, Alex [Daddario] starred in the music video, "Imagine Dragons' Radioactive"."

Huh. Okay. I went to check that out.

This is one of those videos I've seen a grand total of once, both because I think the Lindsey Stirling version sounds better (strings! I fall so hard for string renditions of things) and because I'm not a big fan of the "pretty white girl, suffering white guys, and villainous brown men" imagery in the vid itself.

But... no, that's Kate. Engaging in some illicit underground muppet fighting. For the salvation of white guys and teddy bears everywhere. Not sure how to feel about this.

Part of me wants to prompt it as an AU on collarcorner, and part of me wants to go back to pretending that actors only ever exist in one role shhhhh.

It's a peculiar feature of my writing style that I can get up to 20k on a project and not have the first chapter finished yet.

(The first chapter is not 20k words. The first chapter is only about 5.5k words, which still seems excessive to me, but whatever.)

This story, if I ever manage to finish it, is going to be stupidly long.

( ETA for added fun... )

So, What Happens In Burma has this exchange:

Peter: In the last year, it was held in a secured vault at a state mining facility, under army guard, in the middle of a jungle.
Neal: Not exactly a prime location for a college kid to just walk in and grab it.
Peter: No. The mine is in the Mogok Valley.
Neal: You can get there by a helicopter or a seven-hour jeep ride over some nasty terrain.
Jones: You just know these things?
Neal: Yeah, that's why they keep me around.
Peter: Mm.
Neal: You'd need some muscle, a cargo plane, and a few grand in bribe money just to get started.
Peter: You would?
Neal: And who knows what else? Because I've never considered stealing gems in Burma.

(Emphasis added.)

In Forging Bonds, when Mozzie walks in with the information on Kate's whereabouts, Neal is doing some red-ink work on a map. The conversation there:

Neal: Hey. Rubies in Burma. I'm gonna need a bush plane to get–

–and then he sees the look on Mozzie's face and asks him if his pigeon died.

( Tongue-in-cheek examination of probably-unintentional canon implication. )

I occasionally feel kinda odd about maintaining two blogs – this one and magistrate – because I post so infrequently that it occasionally feels like I don't have enough content to reliably keep one blog interesting, let alone two. But I do feel like separating my fannish content stream from my more real-life stream is a good pragmatic decision; in how I conceptualize my own life, they represent different spheres of interest.

(I toyed briefly with the idea of separating my original fiction/professional writing into a third stream, but then I noticed that I never posted in it at all, so to magistrate it went.)

Being someone who grew up as a writer in fannish spaces and is now also trying to get somewhere in the big, bad world of original fiction, I think a lot about how skills and paradigms do and don't translate. The different genre structures and conventions, the different skills each type of writing emphasizes or strengthens. (I notice that in my original writing, characterization is something people continually call out as one of my weakest skills. Which is still kind of a mindscrew for me, because in fanfic, a lot of people seem to enjoy my characterization. Then, with fanfic, I have something pre-existing to riff off; one of the consequences of growing into writing through fanfiction seems to be that I have less experience in how to establish and differentiate character in my own work.)

Anyway. Given the amount of time I spend musing about fannish vs. original spaces, I kinda have to raise an eyebrow at myself for needing to discover (and rediscover, and remind myself of, again and again) the fact that the criteria for success for fanfic and original stories are often wildly different.

I think it's something of the same way in which the criteria for success for a TED talk and an awesome discussion in a group of friends is different.

In original fiction, I have to spend a lot of time thinking about arcs and structure and pacing, and how the plot and the story inform each other, and how themes are deployed, and how to create a polished and technically competent work. And, I mean, don't get me wrong, those things are great to pay attention to in fanfiction, but I find that fanfic rises or falls on something more like, broadly oversimplified, its ability to be an efficient delivery mechanism for squee.

I think the fanfics I'm personally most proud of manage to hit both notes; they extend and expand beloved aspects of canon, but they also work as well-structured, polished and tuned-up technical works. But I also find myself, a lot of times, flailing over posting something because its pacing is a mess, the structure is lopsided, there's that one horribly awkward phrasing at the beginning that I can't think of a good way to get rid off, the theme is a contortionist, and the arc thinks about arcing and then veers sideways into a wall, and I have this horrible urge to apologize to everyone for punting it out into the world, and then no one seems to care. Which is reassuring, at times, and then at other times it's just a boatload of cognitive dissonance and the vague suspicion that everyone's just being nice because... some... nefarious purpose of their own? I think a lot of writers share this anxiety. I think this anxiety enjoys the fact that it doesn't have to make sense.

I used to produce a lot more fiction. I mean, that was something like a decade ago, when I was bouncing all around my million FFVIII fics, but I remember being significantly more prolific than I am right now. I think a major factor in my slowdown is the fact that I started turning my attention to craft, and really struggling a lot with the places where I could see something wrong but I didn't know how to fix it.

(Or where there wasn't a plausible way to fix it. If I go back through my braintics scraps collection, for example, there's a ton of stuff which flat-out does not work on a logical level, but which amused me enough to put scenes down. There's also stuff where the tone is too wildly self-indulgent for my sense of propriety, or where it's clearly just me working out my beef with a certain character, or where I looked at it and just went "Nope, not going to write that, because I'm not going to typecast myself as that author who only writes stories where horrible things happen to Sam Carter and the boys go D: and then the whole rest of the fic is only there to showcase how tough and embattled Sam is." (Yes, I have enough of those braintics to make it its own genre. I'm not proud. I also regret nothing.))

This is, of course, not entirely a bad thing: it lets me continually improve my writing, even if I'm not aware of the improvements as they're happening. (But I can go back and look at works from a few years ago – works that represented the best I could do at those times – and see immediately how I could improve them, and that's a humbling and kinda nifty feeling.) But it is, I think, something I also need to become more aware of. Because the other great thing about fanfiction is that it provides a space for me to play around with ways of telling stories in this fantastically open and engaging and forgiving environment, and that's also a fantastic resource for growth. Letting my internal editor set up roadblocks there isn't actually helping me.

(Besides, you people don't mind if I completely shed my dignity now and again, right? Maybe I'll clean up the ridiculous angstcrack scene where Neal is vaguely suicidal circa As You Were and discovers that Peter has an invisible dragon living in his house. Or the wtfery of the braintic where Sam Carter's consciousness gets transposed across a universal boundary and put into a partially-uplifted mountain lion who's a working animal with the USAF. I once heard the Pern books described as "tapping into the 'I want a PONY!' instinct, except for people who liked fantasy." You can probably tell which kind of kid I was.)

Random question, but I need it for reasons research.

If you had to sell me on two characters – gen or ship – and you only had 500 words or a 30-second video clip to convince me that they were the best no seriously really... what clips or works or excerpts of works would you point me toward?

I am going to think on this and see what I can come up with... after I sleep for a while.

(Context is that I'm playing with a story-in-the-background-of-a-story in one of the things I'm working on, and I want to pick apart some mechanics of what makes for minimum effective doses of getting people engaged with characters.)

My partner introduced me to the WTFery of Dark Silent Hill, Google Maps version. (Just... go forward.)

Now I want a fic where this happens to Peter and Neal. They're just driving along, off to talk to a witness or examine a crime scene or authenticate a statue or whatever, and then suddenly the entire world around their car is a terrifying melting Goya and Peter slams on the brakes and, you know, horror ensues.

...I'm not sure I want to write this fic, but I want it to happen.


I have no idea what the hell happened to that Google Maps car. But it cannot possibly have been anything good.

My dreams for the last two days have been:

1) Peter Burke and Jack Harkness not being pleased to learn that Neal Caffrey's post-anklet plans resolved to "flee the country and join the Time Agency"*, and

2) Peter getting framed for corruption and leaving the FBI, only to adopt a dragon a la "Jeremy Thatcher, Dragon Hatcher^†" and setting up a PI firm with her**, and using his alleged criminal ties to become a criminal informant for the FBI. Not the kind that wears a tracker, though. The kind that has an intermittently-visible dragon friend, apparently.

I think I may need evening plans other than "write fanfic until I crawl into bed".

---

*Why did Neal think this was a good idea? Why did he think Peter would approve? Why is Jack Harkness hanging out in Peter's diningroom? The world may never know!

^†I haven't read this book in years. But I remember that Jeremy Thatcher hatched a dragon egg, and only he could see the dragon, and the dragon set someone's shoe on fire! I don't think they started a PI firm, though.

**Burke and Ness quickly develop a reputation as terrifyingly efficient, completely unshakeable, freakishly resourceful, and – among certain circles – really hard to kill. No one ever sees the mysterious Ms. Ness, and the clients who demand to see her under pretenses of knowing who is working for them are turned around, told firmly that "Ness prefers the freedom to work without threat of recognition." For some reason, no one ever puts this together with the fact that he belongs to multiple CSAs which, together, deliver him way more farm-fresh meat than a typical household could reasonably consume. Dream!me did not see fit to include the reactions of Neal, Elizabeth, or Satchmo into this scenario, except I feel like Elizabeth would have named the dragon something like "Lady Day".

And then circumstances conspired to make me write 2100 words of first scene for a potential treatment of White Collar slavefic. Trust me when I say that this was not what I planned to be doing today.

( World meta. )

( The scene. )

My editor-brain has gone to bed without taking my writer-brain with it, which is why I find myself contemplating a White Collar/Briarpatch crossover. (It'd be great. Neal has access to the Briarpatch, and the Light is in some way tied up with Kate, and Peter has no affinity for the Briarpatch at all but manages to find his way in there while searching for Neal and completely refuses to back down for a little thing like being inconceivably in over his head, and hijinks ensue. And Diana somehow ends up completely intimidating all the bears.)

I think this is symptomatic of some kind of weird reaction to writing in a fandom which isn't speculative fiction of any kind. I mean, the great bastions of my fandom work to date have been Final Fantasy VIII, Stargate SG-1, Torchwood/Doctor Who/Life On Mars as one giant amalgam, and a recurring theme of Silent Hill getting into everything. You know, the kind of fandoms where I can go all wacky with time loops and mind control and giant monsters and split threads of causality and stuff, without deviating that far from actual bounds of canon-established reality.

I think my brain just flat-out refuses to accept the real world as a template, and this is why my White Collar WIPs folder consists of a handful of short character studies, a complete re-write of half of Season 2 and all of Season 3, a fic in which Peter is a really atypical guardian angel, a fic that's three AUs that got in a car crash*, and a crossover with Puella Magi Madoka Magica, of all things. (Neal wanders into a Witch's Labyrinth. Hijinks... ensue? None of the main characters get to be magical girls. It's for the best, really.) And it's probably for the best that all the snippets with the White Collar guys having to deal with damaged_people!Jack Harkness are remaining in the braintic purgatory of my Gmail where they belong.

*Back when I was learning about these things in highschool physics, a perfectly inelastic collision was described as one in which two objects collide, combine their momentum, and continue onward with a shared velocity. When the teacher asked for examples from the class, someone offered up "A guy getting impaled by a charging rhino?" I'm not sure why this popped into my head, other than the fact that the three-AU-pileup in that fic is pretty damn inelastic.

Anyway, I'm not sure why I'm writing this out to Dreamwidth, other than it being late and me not having gotten much sleep and everything seeming like a good idea right now. (But really, Neal-and-the-Briarpatch would just be fun to play with, even if it's not Tim Pratt's Briarpatch. And even if Neal as Br'er Rabbit kinda bucks the whole Neal-as-fox metaphor I have way too much fun poking at.)

Someone please tell me to quit the browser and go to sleep.



Current sleep-deprived typo correction count: 18